Every hero is, ultimately, defined by their villains. Batman wouldn't
be nearly as cool if he spent all of his time hanging out at the local
middle school scaring away drug dealers. Superman would probably be less
impressive if all he ever did was rescue treed cats and the occasional
frog in front of a lawn mower. Luckily for Spider-Man, this is something
that Stan Lee understood very well. In his first appearance, his
biggest foes were himself and the burglar that killed his uncle, and to
be honest these would always be his biggest foes. To have these quickly
followed in the first issue of Amazing Spider-Man with J. Jonah Jameson
and the Chameleon is definitely a plus! For this issue, we get
introduced to the terrifying, gravity-defying Vulture and the Tinkerer.
As
is fitting for Marvel comics, both of these characters are science
based. Mysticism has very little place in the early Spider-Man comics.
The radioactive spider that bites Spider-Man is from a science
experiment. The Chameleon uses masks and outfits to change his
appearance. In this issue, the Vulture and the Tinkerer both use science
to have their abilities rather than magic or various other nonsense. To
put it another way, there were no Supermen in Marvel Comics. Science
and nature provided all of the powers. (Well, until the Sentry anyway,
but the longer I can put off THAT particular headache, the better!)
The
Vulture kicks us off into the sophomore effort of Amazing Spider-Man.
This is another comic set up with two different stories in it, with The
Tinkerer getting back-up status this time. It actually starts off with a
wonderful Steve Ditko splash page of Vulture and Spider-Man going at it
as a preview, and it is definitely an attention getter! The Vulture
isn't just drawn as a poor-man's Superman, moving and posing the same
way. He truly has the appearance of a man moving in flight as a bird,
which is eery and adds to his overall evil demeanor. That's all Steve
Ditko and it works phenomenally well.
So Vulture swoops
into the scene on the next page, stealing a briefcase full of a bonds, a
fortune's worth. Me? I'd deliver that baby in a truck, but what do I
know. J. Jonah Jameson, publisher of "Now Magazine (?)" want to dedicate
an entire issue of his magazine to the Vulture, while also running some
stories on the evils of Spider-Man (a man has to have his hobbies after
all). Unfortunately, Jameson only has one crappy picture of the
Vulture to use, and demands that he get better pictures, or else he'll
get better editors. Given the questionable future of Now Magazine, I'm
guessing he probably should have tried for better editors, actually.
Peter
Parker is working in a high school laboratory as a science major (could
you really have majors and minors in New York high schools back then?)
when he hears the other brats - er, students - talking about how one
picture of the Vulture would be worth a fortune. Excited, Peter gets
into trouble for ruining his experiment, endures some rather pathetic
insults from Flash Thompson (future Spider-Man lover and Venom symbiote
host), and borrows his uncle's old miniature camera from his Aunt.
Meanwhile,
Vulture is planning a jewel heist. Vulture - lacking in creativity. He
could make a fair bit of cash just taking a picture of himself, but I'm
guessing he's thinking a little bigger than that. Vulture decides to
fly around the city, mysteriously dropping off messages as Spider-Man
watches from afar. He basically tells everyone exactly what he's going
to do. After that, he hears Spider-Man trying to get his camera working,
drops him into a water tower, and flies off.
One thing
that is really fun about these early comics is that Spider-Man is
entirely inept! It's something that even the Ultimate Spider-man line
failed to truly capture. He is blind-sided by Vulture, knocked out,
dumped into a water tower, and runs out of webbing. That's what I call a
rough afternoon. Luckily, he figures out how to jump really high and
manages to avoid the most embarrassing hero death ever.
On
his escape, he is appropriately embarrassed and designs another feature
of his outfit that would last for decades - the Spider-Man utility
belt. He stores his camera, a Spider-Light, and his extra web cartridges
here. After that, he uses scientific know-how and his mind to solve the
problem of the Vulture! Now that's the Spidey I know and love! Taking
care of his own problems and using his brain! It got forgotten for far
too long just how smart Peter is supposed to be.
Anyway,
he turns in the picture to Jameson, giggling the whole time about how
he's getting one over on the old man. He requires that he never be asked
how he got the photo, and that they credit it to a "Now Magazine Staff
Reporter" and Jameson happily pays him for it. (Now that's a switch from
later)
Peter and the High School Twerps later go to
watch the Vulture steal the diamonds, since that's what kids did before
the days of video games, and Peter has to sneak off while once again
getting mocked by Flash Thompson. Stan Lee really didn't hold back on
making Flash a total ass - he has absolutely no redeeming values in
these early comics, much like most of the people I went to high school
with!
The Vulture manages to steal the jewels, using
the sewers instead of the air to surprise everyone, and it's up to
Spider-Man to catch up to him and recover the booty. (hee hee, I said
booty) His web-swinging is specifically mentioned, which is nice, and it
lets him catch up. After a bit of a tussle, Spider-Man uses his techo
doohickey to shut down the magnets that Vulture used to fly and finally
hands him over to the police.
Peter takes the pictures
of his fight to Jameson, who is friendly and tickled pink by the images.
He actually gives Peter a bonus and tells him to "go buy some twist
records." Wow, nice and dated. J. Jonah Jameson - He does the twist.
The
Vulture is placed into jail where he is allowed to remain in his
costume (?????) while swearing revenge, while Peter goes home to spend
his money on Overlord May, paying her rent for a year and buying her all
new kitchen appliances.
The second half of the comic
starts off with Spidey declaring the Tinkerer to be one of the greatest
menaces he's ever faced (a list that includes all of himself, J. Jonah
Jameson, Aunt May, Flash Thompson, the Chameleon, and the Vulture.. not
really an inclusive list at this point!). Stan Lee and Steve Ditko are
behind this one once again, and we start with high schooler Peter Parker
in the science lab once again at Midtown High, where he gets a chance
to intern with Professor Cobbwell, conveniently labeled as a top
electronics expert. Flash and Peter trade insults, and off Peter goes to
pick up a radio for the professor at the radio repair shop, because
Peter Parker is the world's gopher. At The Tinkerer Repair Shop, named
so strangely even Peter Parker comments on it, Pete feels his spider
sense go off while waiting for the radio.
The Tinkerer
goes downstairs to pick up the radio from large green alien that all
radio repair shops come equipped with in their sound proof basements.
It's part of New York code, you know. They cackle over how no one
suspects that their radios have now been heavily modified (probably to
add stereo and FM reception would be my guess) while we are treated to
another iconic image, the shot of Peter Parker's head split down the
middle with his Spider-Man mask. It's a GREAT way to show the
Spider-Sense at work and is also incredibly dynamic. Major credit to
Ditko for coming up with such a phenomenal presentation.
Peter
is surprised to find that the Tinkerer only charges a dime to fix
radios, which certainly seems cheap to me, but he doesn't question it
and pays for the repair. And, of course, the Professor doesn't even
offer to pay Peter back. Professor Cobbwell - skinflint. As Peter
ponders the rationale of the Tinkerer's financial policy, he realizes
that he's detecting the same radio waves in the professor's lab as he
did in the Tinkerer's shop, setting off his spider sense once again.
Naturally, once the professor leaves Peter tears apart the repaired
radio and identifies the strange components. Seriously, this is a smart
kid!! How did that get forgotten for so long? Deciding he's had enough
after.. uhm.. seeing one weird radio, he figures he has enough
information to do some breaking and entering into the Tinkerer's shop.
He
manages to work his way down into the basement, where the Tinkerer and
several aliens are hanging out, just moments before their terrible
master plan comes together! Spider-Man, who isn't exactly wearing a
stealth costume, gets discovered and is forced into the main basement by
some ray guns, where he shows off some fantastic acrobatics. Steve
Ditko managed to work some fluid motion into his art with these scenes,
and the flow easily from panel to panel. With Stan Lee coloring the
panels with exclamations, it really is art on page. As Spider-Man hides
on the ceiling, the aliens are lucky to have an inverter mechanism,
which just happens to loosen him from the ceiling and let them over
power him, placing him in a resisto-glass enclosure. (Please note, all
of this is just in seven pages of comic!!!)
Spidey
uses his web shooter to hit a button to release him from the cage as the
aliens were attempting to kill him. It makes no scientific sense
whatsoever, but eh. It's fun to see. I personally love that the diagram
of his web shooter includes a notation of the safety device. Those
attention to details are what made these comics so classic and
long-lasting. Of course, Spider-Man defeats the aliens, sending all of
them retreating to their space ship, managing to get back in time to
meet the professor as he returns from his errands.
Like
the last issue, this Spider-Man includes a demonstration of one of
Spider-Man's powers. This time, it's all about his webs and the newly
created Spider-Belt. Apparently, for a high schooler he's also the
world's greatest authority on webs and their creations. Go figure!
This
was a fun issue, and definitely full of action. As time goes on, my
write-ups are inevitably going to get shorter and shorter for each
episode. As modern super-hero comics grew more popular and
sophisticated, the art will slowly come to supplant the writing, leading
to less and less happening in each issue and larger panels of art. I'm
actually really enjoying the pace of these early books, and I'm dreading
the eventual slow-down. Still, I've got some time before that happens!
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